A playful little piece composed for bandoneon virituos Juan Jose Mosalini, best known for having established the first bandoneon-education in Europe in France, and who participated in one of the first ever tango-recordings in Norway with the quartet Tango for 3. (But in Norway unfortunately best known for his contribution to the international plague Lambada!) He wanted a piece for bandoneon and flute. It is in particular the restless and asymmetrical elements in the rhythm that gave rise to the title.
